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Glasgow six-piece Dananananaykroyd might be the band for which the word
"ebullience" was invented. This debut album showcases their
(self-described) Fight Pop across 12 boisterous tracks.
Right from the start of the album, with opening track Hey Everyone, it
becomes clear that this is a band that are going to make merry in very much
their own manner. Even on this short one and a half minute introduction they mix up a
friendly-sounding strummed refrain with some dramatic crashing chords and
drumrolls, building to a crescendo of feedback-enhanced scree, before
segueing into track two with a shouted chant of "Dan-an-an-an-ayk-ROYD...
Hiya!... Watch this! Watch this!" It's an arresting start, and one that
indicates that you are never quite going to know what is coming next
in the 50 or so minutes that are to follow.
And this is pretty much borne out over the course of the album. So you
get tracks interspersed with handclaps (The Greater Than Symbol And The
Hash), cutesie lyrics like "He's wearing your lipstick / And drinking from
your glass" (Black Wax), and mass singalong bits (the start of Pink Sabbath,
the "Oh... my... god" from Infinity Milk, Some Dresses) that make you think of a
tougher, less southern-softie version of Los Campesinos!.
But then
there are other times where the band approach screamo territory, with
throat-shredding vocal delivery as deployed in One Chance and parts of 1993.
The percussion is as frenetic you would expect from a band featuring
two drummers, and tracks like Some Dresses sound like they have been
constructed from the offcuts of at least two different tracks, using nothing
more than boisterousness as the glue.
What is particularly engaging about all this is the way that, despite the
intensity of the noise, the feel of the music is almost exclusively happy
and positive. This isn't angry, aggressive noise - more the natural shouty
excitement that befits youth and enthusiasm.
Upbeat statements ("Yeah! Can
you smell it in the air?", "I can learn to love my body" from Some Dresses,
for example), joyful exclamations (the "wooh!"s on Hey James) and
particularly the acknowledgement that "These are the days of our fucking
lives", also in Hey James, all contribute to this positivity. A key line,
from 1993, is when they sing of turning "hissy fits into sissy hits".
Although these hits are far from "sissy", the point here is that
they are taking negatives and subverting them whilst channelling them into
their music.
Dananananaykroyd are, on this album's evidence, a fine band.
Although a fair few of the tracks have previously featured as singles and on
EPs, Hey Everyone will certainly serve as a wonderful introduction to those
yet to uncover their joys. Unpredictable, life-enhancing, feisty and noisy,
these hugely likeable one-offs will hopefully long continue to walk their
own path with originality and joie de vivre.
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