1. D'ya Feel Lucky
2. Be Alone
3. Only Love Is Left Alone
4. Sleep
5. Always Never
6. Get Out
7. Dirty Little Death Rider
8. Strange Honey
9. Mamas Arms
10. Heavily Sedated
11. Everybody Runs
12. Fucked&Alone
It's a nice variation to have a new band eagerly awaiting the imminent
release of their debut album, whose name you haven't already got bored of
hearing before actually hearing any songs, and who haven't been hyped half
way up their own arses before they've decided on the name of their debut
album.
Ladies and gentleman, this is The Fondas, the latest band spewed from the
creative belly of Bristol's rock scene. A guitar/bass/drums four-piece,
Little Kicks is their debut LP, and it opens with the forthcoming debut single D'ya Feel Lucky? An
impish little beast, it begins serene and tranquil before distorting into
boisterous guitar driven mentalness. Two minutes passes, it finishes, and no
offence has been caused.
However, by Only Love Is Left Alive it's becoming clear that this band
are punching well above their weight. Said song sounds like the school band
rocking their local town hall and thinking they're the fucking balls. It's
a bit crap, and it's a bit annoying.
It may come as a surprise then that there have indeed been
Radiohead comparisons, and, in a way, they're just (if you'll excuse
the pun). Dirty Kicks sounds like Pablo Honey's bottom of the class,
melodically impaired little brother. There's just no imagination or
creativity in the song writing.
A far bigger problem is the fact that vocalist Andy Ward really can't
sing and much of the time sounds more like he's in pain than venting
sumptuous rhapsody. Add to that painfully average lyricism and he's not
really the most appetising front man, but I don't know; maybe he looks really
cool... When aloft this rather manky cake you place the cherry of shaky and
bland production the end result renders Dirty Kicks something you should
probably avoid.
Always Never is slightly redeeming: featuring drumming from Steve Eyers,
it is little short of awesome. To be fair, he is very good throughout
Dirty Kicks, relentlessly pushing an encouraging and strong rhythm. Other
slightly better than lowlights include Sleep, Mamas Arms, and the guitars on
Get Out, which is eventually embarrassingly tarnished by bad lyrics. In the end, it's not enough. The Fondas really do sound like a school band of 14 year
olds who have just got very, very lucky.