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You had to have seen it coming: Frightened Rabbit, three albums
in, have refined their emotional, atmospheric songwriting style into
something immeasurably huge, with eyes only for stadiums and perhaps,
America.
2008's The Midnight Organ Fight found critical acclaim on both
sides of the Atlantic, giving the Scottish five-piece a golden
opportunity that even the most well-grounded bands would find
difficult to ignore. It's now no longer a totally far-fetched thought
that Frightened Rabbit are capable of becoming as big as
Coldplay or Snow Patrol currently are Stateside. One
inclusion on a prime-time show's famous closing scene and the rest
will follow.
This might all make difficult reading for Frightened Rabbit fans who've been
on side since debut Sing The
Greys. But remarkably, The Winter Of Mixed Drinks does nothing in
terms of isolating fans of old; songs keep to being dramatic and
meaningful and Scott Hutchison's unique, hot-blooded vocals are present and correct.
In theory the group have bigger ambitions and will
have a healthier future on the back of this album, but they're by no
means a different band to the one that won so many hearts over the
past four years.
But let's get to those anthems. Foot Shooter is the most
goosebumps-inducing of all; a single guitar line, dripping with length
and a blissful, ethereal softness, dominates the song. It's a moving
study of mortality, Hutchison declaring "If my face turns white, I am
sorry, it's not your fault, it's mine" while the emotive sonic landscape
keeps to this touching lyric for the entirety of the song.
Lyrics are morbidly haunting throughout, just like they
were in the last record. Talk of "shovels", "graves", being "paler
than a pint box" and "sickness" all amounts to giving The Winter Of Mixed
Drinks a sense of being apart from the sappiness of some US-breaking output from south of the border.
Every track on this record has a
powerful, hard-hitting meaning that hits the gut in an
instant. The concurrent theme is the symbolic idea of departure in new
beginnings found in the title and words of Swim Until You Can't See
Land and Skip The Youth. There's a longing for escape, and it goes
hand in hand with the joyful, hair-raising sounds of The
Wrestle and Not Miserable, both of which display an emotion that's
still a work in progress for the band: happiness.
This album will, at least in theory, open a new chapter in the
band's story, but the songs - as well as being significantly more
streamlined - manage to stir and move like never
before. Hearing The Winter Of Mixed Drinks is to hear Frightened Rabbit's potential for becoming a bigger entity,
sensationalising the States and playing arena venues, at least in tow
to another band. Perhaps none of these things will come to pass. Even if not, these Scotsmen
will still be the band to make grown men sob into pints.
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