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Multi-instrumentalist and integral component of alternative
hip-hop darlings Why? Josiah Wolf has taken a step aside from his
main project and made an album of his
own. Jet Lag is produced by sibling and Why? frontman Yoni Wolf, but
its parts are constructed solely by Josiah, who will surprise many
with his knack for writing open-minded folk songs with an autumnal
charm.
There isn't a great deal of difference between what's fashioned on
Jet Lag and Why?'s recent output. 2009's Eskimo Snow deals
with conveying deep heartfelt emotions alongside a sound that
comes from the most bitter cold, and Jet Lag thrives in the same
environment.
But where Yoni Wolf's tones pulse and guide the momentum of a
song, Josiah is more of a gently-spoken storyteller, with a voice
that flips from fragile and at breaking point to deep and
resounding, resembling that of his brother's. The
vulnerability of his vocals assists the likes of Master Cleanse
(California) and Is The Body Hung in sounding soft and tame; the
tap-tap percussion; the dithering marimba patterns; the inviting
guitar plucking, all combine beautifully with Josiah's soothing
narrative.
At times the songwriting method borders on repetitive. Instead
of pitting a catchy verse with an even catchier chorus, Wolf chooses
to invite the listener in with an infectious hook - usually through an
acoustic guitar - before breaking down the thin blanket of atmosphere
and introducing something completely different, almost as if he's lost
his train of thought, be it through boredom or scatterbrainedness.
Either way, when you crave something more
from Jet Lag, it tends to disappoint.
Skull In The Ice is an exception; perhaps the most tender of all
the songs, it begins with a stripped-down strum and evolves in the
chorus with luscious, rich surroundings. It's the sort of crescendo
all these tales deserve, but the hungover state of affairs that rings
supreme in this record seldom allows for this to happen.
In truth, that whimsical, semi-conscious state of mind rarely
hinders Jet Lag. In fact it tends to go arm-in-arm with Josiah's
stories of big cities and pretty girls very nicely. But any break in
trend - such as through Ohioho: a sun-tinged, care-free, mid-afternoon
anthem - is always welcomed, because this is the kind of album that
weighs on you with repeated listens. It could do with taking notes
from Ohioho, because it's this ilk of uplifting, cacophonous sound
that suits Why? and Josiah so well.
Nevertheless it's refreshing to see an often unsung hero break out
of his shell and prove himself to be an accomplished songwriter and,
best of all, singer. And it strengthens the theory that Why? are a
melting pot of talent, still with plenty more to offer.
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