1. Crush
2. Time Of Our Lives
3. Like A Friend
4. Reflections
5. Nothing But You
6. Buenaventura
7. Homage
8. Never Forget
9. Knowledge
10. That's Life
11. Connected
12. Spellbound
13. Kaleidoscope
Germany's Paul van Dyk has
proved to be one of trance music's most enduring
artists, and shows a musical style capable of moving
with the times. Whereas previous albums such as Seven
Ways and Out There And Back had textures awash with
watery sound effects, rippling melodies and warm
harmonies, Reflections seeks to gain greater variety
by introducing some tracks from the darker side and
sitting them directly alongside floor fillers such as
the singles Time Of Our Lives and Nothing But You.
Opening track Crush is a low key,
introspective start until a strong kick drum bites
through the mix, setting things up nicely for the
Vega 4-fronted Time Of Our Lives. Here there is
evidence of van Dyk's maturing lyrical prowess, for
this is a cut above your average dance fodder. It also
signals a move towards breakbeat territory, a move
fully realised in Knowledge, an aggressive, cutting
edge piece of music.
As well as this van Dyk tries his
hand at a more down tempo, jazzy style on the
reflective Like A Friend, which strays towards
Dubstar territory. This is one of several
disquieting tracks that seem to have been influenced
by a recent life-changing trip to India. Thankfully he
doesn't let this influence go too far, as the title track
sees him back on the dance floor doing what he does
best.
The dark side is back for
Buenaventura, with a bass drum that would rumble the
woofers in any club, and a bass line to match. The
pumping vocal cut Homage follows, featuring the tones
of the seasoned trance diva Jan Johnston, a
stalwart of the music of van Dyk's mate BT.
One of the principal problems
with trance music albums in the past has been the lack
of musical variety, which has often meant the artist
in question has had to resort to trying their hand at
a slower brand of music, often with disastrous and
cheesy results.
Reflections shows that Paul van Dyk
has avoided falling into this trap by some distance -
his beat-mongering and songwriting having matured
considerably over the last ten years into a cool,
polished pop trance sound with a harder edge for the
clubs when needed. Add this to the advertising
contracts he's pulling in from mobile phone companies,
and the future's bright...