UK release date: 4 August 2003
re-released: 2 February 2004
track listing
1. How To Be Dead
2. Wow
3. Gleaming Auction
4. Whatever's Left
5. Spitting Games
6. Chocolate
7. Run
8. Grazed Knees
9. Ways & Means
10. Tiny Little Fractures
11. Somewhere A Clock Is Ticking
12. Same
13. We Can Run Away Now They're All Dead And Gone (UK Bonus Track)
14. Half The Fun (UK Bonus Track)
The world has woken up to the Scottish music scene
once again. Yes there is more to it than Travis and Wet Wet Wet and no-one could be demonstrating that more than the fabulous Franz Ferdinand, Belle & Sebastian (with their Trevor Horn makeover), and their former label mates
Snow Patrol, who have taken a leaf out of B & S's book by moving in a more
commercial direction.
Snow Patrol's third album Final Straw is their first on new
label Polydor. The most telling sign that the band is now with a bigger label is the clear way they are being
marketed. Their recent single Run, an angst-ridden guitar ballad, has
received a massive amount of airplay. Its accompanying video, which is not
unlike the one that helped Coldplay's Yellow reach dizzy heights,
demonstrates which way Snow Patrol are being pushed. "The Next Coldplay" tag is certainly one that the music press have been quick
to pick up on although, ironically, Snow Patrol were around long before
anyone had even heard of Chris Martin.
Still, if Coldplay comparisons are what it
takes to thrust Snow Patrol into the public's consciousness then it's not
necessarily a bad thing as their music deserves to be heard. The music of
Snow Patrol is not going to change the world but, as Final Straw
demonstrates, it's a sound that is more than capable of flying the flag for
the institution that is the British Guitar Band.
Although there are plenty of Coldplay moments
on Final Straw, in general there are stronger echoes of bands like Teenage Fanclub (also Scottish) and Pavement. Second track Wow displays
a more alternative edge with its short sharp rhythm and monotone vocal. In
fact it is a definite stand-out track and has a style more suited to
American indie rock. It's when Snow Patrol are adopting this sound that
they seem to be in their element. Wow moves into Gleaming Auction, which
picks up where its predecessor left off, using a similar vocal tone and
following the same pattern of quiet verses that build up to a heavier,
louder chorus.
The tracks effortlessly glide into each other
showing that this is a well thought-out, competently produced album. But
despite the subtle variety offered on Final Straw, many will buy this for
the single Run, which is the ultimate highlight on the album. It is not
surprising that this is the song to launch Snow Patrol because it is an
emotionally-loaded anthemic gem. From the tortured vocal performance and
painful lyrics to the haunting melody and crescendo chorus, this is the
Wonderwall and Yellow of pub jukeboxes for the next few years.
Lyrically Snow Patrol are interesting yet simple.
They can do deep and despairing but can also lighten things up and show a
hint of humour when required. Spitting Games is an amusing twist on
unrequited love with lines like: "I find it easier to sit and stare / Than
push my limbs out towards you right there". We've all been there and
that's why Snow Patrol have the potential to become massive. Their words
feel autobiographical and, like other popular bands of recent years, they have an
ability to resonate equally well with the nerdy schoolboy sitting alone in
his bedroom as they do with a group of twenty-somethings getting stoned
together.
Final Straw may not be groundbreaking but it is a
strong album that will prove that there is more to Snow Patrol than a
one-off hit and show that they are not just another Coldplay clone.
Their gentle melodies and heartfelt lyrics also hint that Snow Patrol are
just a couple of singles away from achieving mass popularity and after
years of hard work in the background they deserve it.