Johnny Knoxville
Brian Cox
Katherine Heigl
Geoffrey Arend
Edward Barbanell
directed by
Barry W Blaustein
The Farrelly Brothers have managed to offend most minorities. Fat people,
old people, um, conjoined twins, so it comes as no surprise that they have
exec-produced The Ringer, a new comedy which sets its sights on offending
people with learning disabilities.
But an even bigger surprise is that the
film, a comedy about rigging the Special Olympics, has been given the
official backing by the actual Special Olympics. So who's the joke really on,
then?
Steve (Johnny Knoxville) becomes addicted to self-help tapes and ends up
demanding a promotion from his boss. His boss concedes and tells him his
first job is to fire the janitor, Steve's friend. But Steve instead hires
him to mow his lawn in guilt, giving him a raise from his own salary. But
after an accident the janitor loses his fingers and Steve is unable to pay
the medical bills. Steve's Uncle Gary (Brian Cox) is also in need of some
money. He owes a long past due loan to the mob. He comes up with a
'brilliant' plan to rig the special Olympics. He is going to make Steve
enter and win, because as he's the only non-disabled contender he'll surely
win right?
The Ringer is a troubling film. It's never quite clear where the film's
loyalties lie. It starts out as amusing enough and moves along at a good
pace, the joke quota nicely tuned. There are some risqué jokes and the
filmmakers seem to be aiming for edgy humour. It's surprising at just how
funny the film is. But as it progresses, it makes an important
and jarring shift.
The focus shifts and begins to almost berate us for laughing at
what we may have laughed at before. There is an overwhelming and nauseating
sentimentality which reigns in the finale and there is even a sickening
musical number performed by the other athletes. It's all about why they deserve
more respect and it feels uncomfortably tagged on and deliberately aimed
at the audience. It's as if the writer has suddenly had a guilt trip for
the jokes he made earlier on and is trying to redeem himself.
While many of the jokes are well written, the film also relies on way too
many shots of Knoxville falling over or being involved in other pratfalls.
It's a lazy form of comedy and dumbs down any message the film was hoping to
deliver. Johnny Knoxville isn't a very experienced actor and it's actually
unclear when he's pretending to be a special athlete and when he's simply
being himself. Brian Cox is excellent and it's a shame he doesn't have more
screen time.
The film should be admired for using actors who actually have learning
disabilities and in that respect does carry a certain air of authenticity.
You can see, especially near the end, why it would be given the blessing of
the Special Olympics. It's just a shame that a film which starts off with a
refreshingly dark and amoral idea soon softens and becomes a little too
nice. Nothing that happens proves surprising, and it's difficult to care about the central romance but, for the most, The Ringer is a
good deal funnier than other recent mainstream comedies.