Following Hotel Rwanda's endeavours to tell the world about
the Rwanda genocide of 1994, Shooting Dogs
revisits events leading up to the shocking violence. Director Michael
Caton-Jones (Scandal, Memphis Belle, Rob Roy) tells the (partially) true
story of a catholic priest and his school in the Rwandan capital Kigali which becomes a
safe haven for thousands of refugees when the Rwandan president is killed
and Hutu militia begin to turn on the minority Tutsi civilians.
John Hurt plays the priest. His school is being used by a detachment of
Belgian UN troops as a base from which to monitor the fragile peace in Rwanda. Hugh
Dancy (Black Hawk Down) is Joe, fresh faced young teacher, on a gap year of sorts who stays at the school.
When the Rwandan president's plane is
brought down and a coup becomes apparent, the Hutu militia's attacks on
the Tutsi population leads to the school becoming a safe haven for the
persecuted.
Joe is an
upper middle class lad who's completely unprepared for the
responsibilities and subsequent decisions he has to face as the
situation erupts around him. Having naively promised his favourite
student Marie that everything will be okay for her and her family, he
is then faced with the choice of escaping with the exiting UN troops or
staying to almost certain death with the Tutsi refugees, now completely
unprotected from the preying Hutus surrounding the school.
There's a lot of controlled anger in the film, not simply aimed at
the machete-wielding Hutu militia but at the impotent UN, whose troops
not only fail to act in the midst of the genocide, but are ordered to
pull out when it starts looking dangerous. The film shows how UN
Capitaine Delon (played by Dominique Horwitz) is under mandate not to
maintain peace, or even protect civilians, but to simply 'monitor' the
situation as it degenerates.
Similarly, Rachel, a BBC war journalist reporting on the situation
(played by Nicola Walker, who manages to look like a young, cockney
Kate Adie), shockingly vocalises the West's attitude to the
genocide when she compares her own reaction to what she felt when
reporting the Bosnian genocide: "Any time I saw a dead Bosnian woman I
thought that could be my mum - but here they're just dead Africans".
Dancy puts on an impressive performance as Joe while Hurt, as usual, provides exactly the right combination of gravitas
and humanity in his role as a pretty saintly figure who gives his life
to save a group of Tutsi children from the Hutu machetes. This provides
the film, for all of its harrowing subject matter, with a chink of hope
at the end, particularly when it becomes apparent that these escapees
survived. Even more touching is the fact that many people working on
the film are survivors who lost friends and family during the
massacre.
Shooting Dogs is an astonishing and important film which everyone should go see; not
only to learn about what happened in Rwanda, but to also appreciate a
well-crafted, well-acted movie that examines the difficult
decisions people are forced to make in extreme situations. I
challenge you not to be affected by its power.