Jake Shears pleasuring a microphone (Photo: Karen McBride)
What can we say about the Scissor Sisters that hasn't been said already?
If they had an office, the pigeonholes outside would have to carry across
five floors to file the obscene hype.
Legible quote from a burnt copy of the
British Press handbook: "Rule 54: Three gay members in a band with a
flamboyant dress style barely dissimilar to Jane's Addiction, with an
enigmatic singer flaunting it unashamedly at shows and larger-than-life
backgrounds from New York = easy copy for us lazy hacks."
Firmly brushing this aside, musicOMH.com gets beneath the fedoras and boas...
It's a blustery Sunday afternoon in Manchester. Dangerous puddles pollute
the short walk from our chicken coop of a hotel to the Academy venue.
Bearded bassist and co-founder Babydaddy (Scott Hoffman) greets us and leads
us to an un-glamorous dressing room beneath the stage. Drummer Paddy Boom
(Patrick Seacor) is waiting in earnest, while makeup-less co-singer Ana
Matronic (Ana Lynch) slips in.
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Coffee is high on the agenda after a 22-hour blitz of London yesterday.
Aside from two recordings for CD:UK and a "rotten" DJ set at the Barfly in
Camden, there was a sold-out gig followed by a comfortably "dumb" performance at G*A*Y afterwards, where the band were kitted out as characters from the Wizard Of Oz.
Matronic appears mildly hungover, Boom sits hunched
by the door, while Babydaddy populates the farthest corner with an intense
stare, adjusting only to give his head a scratch and face a wipe.
"We were just waiting to hear the heartbeat start again. The crazy
thing which cannot be conveyed is it changed the smell of the city." - Scissor Sisters on how 9/11 affected their home city of New York.
"There was so much pressure on these London shows and there was so much
relief after we just got through it," he recalls. "It's been an amazing past
couple of weeks just being over here and seeing how much things have
changed. We're being very cautious about it. There doesn't seem like there's
any end to the hype and the offers for bigger shows. I just don't wanna overdo it right now."
Except for New York native Del Marquis (Derek Gruen, guitar, painfully
meticulous) and party animal Boom (who lived nearby) the three other Sisters
converged on the city before eventually hooking up.
"It's the place for ambition, and it's just the highest mark in most
areas," explains Babydaddy, the "rock" of the group, as his bandmates note
fondly.
Matronic, a loud, self-proclaimed "secular humanist" recalls their first
show 10 days after 9/11:
"Do you ever see ER where they bring in the person that is dying and they
get out the defibrillator kit? There's that moment where everyone is waiting
for the heart to start beating - that was exactly what it was like after
9/11. We were just waiting to hear the heartbeat start again. The crazy
thing which cannot be conveyed is it changed the smell of the city."
"I remember going to these clubs where every level was like a freak show.
It was so intimate but special," muses Boom.
Nearly three years later the dues are starting to pay. But at what
cost?
"It's kind of annoying," snaps Matronic. "I think that there's been a
perception in recent years that if you dress up and put on a show, your
music isn't as honest as somebody who wears their T-shirt and jeans and
looks at their feet. We would definitely like to challenge that notion."
"... There's been a perception... that if you dress up and put on a show, your music isn't as honest..." - Scissor Sisters counter claims that they are any less "rock" than the T-shirt and jeans brigade.
"I think an artist like David Bowie got away with it. Bowie was one of
those people that was fantastical yet honest at the same time," adds
Babydaddy. "We are a rock band. We'll take 'artists' if they wanna throw that
out there, but 'artist' is something that's a little bit too pretentious."
"It was always the idea in our head that this was a rock 'n' roll band.
Even before we were a full band, the vision was drummer, guitar player, bass
player."
When the word debauchery is raised, attention turns to the grinning
drummer. At Boom's confirmation he let the front pews know what Jim Beam
tastes like after it's taken a trip through a human kidney, after swiping a
bottle from home the night before. More recently, and holding true to rock
'n' roll lore that "the drummer is the nutter", Boom motorcycled from New
York to Rio (oh yes). It took five days, and upon meeting two female
revellers he had a couch to crash on for the evening. Except he crashed
there for five months...
Aside from partying, the Sisters are determined to bring their music to
as many as possible, as yesterday's itinerary shows.
"We're an even better band because we've been playing so much live," declares Matronic. "I almost
feel there are two Scissor Sisters. There's the studio Sisters and the
Sisters onstage."
"There always has been," agrees Babydaddy. "I enjoy that we offer
something different live to what is on the record."
And how they do. While London was treated to confetti and giant balloons
(easily pleased, us Cockneys), a spectacular rock-rave awaited Manchester.
You name it, they were there: fashionista, skate kids, goths, mums and dads,
not to mention Hacienda veterans who were treated to the opening bars of the
Happy Mondays' Step On before Lovers In The Backseat. It's no
surprise to see invitations from Glastonbury and V2004, while earning high
billing at Homelands.
"What we ultimately speak for, and who we speak to, is the
outsider." - Scissor Sisters define their target demographic.
"I think as far as the album is concerned, there isn't too much like it,"
mulls Babydaddy. "I think there's room for a million great albums in this
world, I just don't know who's doing something that's exciting right
now."
There are some contenders, though. Franz Ferdinand, Outkast,
The Rapture and N*E*R*D are mooted by Matronic and Boom. But Babydaddy remains defiant until The Pixies, Bowie and The
Cure crop up:
"I just want to be excited about something without doing
my research," he shrugs.
While they appear to have little faith in today's music or religion for
that matter, they have strong beliefs in certain things: "I have faith that
people are essentially good. I think that human nature is essentially good,"
says Matronic.
"I have faith that we're bringing a certain positivity to music. I think
there is a message behind what we do," cuts in Babydaddy.
Matronic continues: "We all have felt individually throughout our lives
like outsiders. What we ultimately speak for, and who we speak to, is the
outsider. Ultimately our message is to never stop challenging yourself."
"Life is an enormous thing and all aspects should be explored. We as
people should continue to look forward and grow, and not think that it's all
gonna end really soon and wait for our divine prize. I think our divine
prize is life itself."