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And it looks like being a lucky number for the Foo Fighters.
They've just celebrated their tenth anniversary by releasing a double CD -
"one loud, one not-so-loud" - In Your Honour.
"I wanted to do something different, something
that would make it exciting to be in a band again, that would really challenge us
and become more than just a record," Dave explains. "So instead of going
into a studio for two months, recording 12 songs and making another album,
playing another festival and making another video, I thought: Let's build a
studio and make a double record."
After Studio 606 was erected, In Your
Honour was constructed, resulting in one rock and one acoustic CD. "I think
we needed to prove to ourselves that we should still be a band and have a
future. Also, with the other albums we've made, we've always had hard rock
songs and softer, gentle acoustic melodies too. But it's hard to put things
on the same record sometimes without it sounding crazy and schizophrenic."
"It's hard to put things
on the same record sometimes without it sounding crazy and schizophrenic." - Dave Grohl, telling In Your Honour like it is.
The Foos basically eliminated the middle ground and went to the extremes,
yet keeping them apart on two CDs. "You could feel it harder that way, or
you could go more delicate that way," he says. "And if you split the two they make more
sense together." Guitarist Chris Shiflett adds, "It was like making two
different albums."
"The most important thing is that we did something that we're really proud
of, something that raises the bar a little for the band and is better than
things that we've done before," Dave says, filled with pride. "But we also
want people to enjoy it. You don't really want to alienate everybody, but
you don't really want to do it for them. You have to do it for yourself in
order to feel rewarded."
And Dave rewarded himself with the some very honorary guests, including his
mate Josh Homme from Queens of the Stone Age, while Norah Jones lends her
voice on the bossa nova Virginia Moon and Led Zeppelin bassist John Paul
Jones plays the piano on the ballad Miracle.
"He contacted us," jokes
Chris. Yeah, right. "Some people on the record, like Josh, I've known for 14
years," says Dave. "You pick up your cell phone and ask, 'Hey, you wanna
come and play on a song?' But with John Paul Jones, you get your people to
call his people, and then they give each other your phone numbers and then
you call each other. But he was so cool." And Dave was nervous. "The thing
about meeting legends and heroes is that they seem larger than life and
you're just afraid. I think he did his best to calm us down. I was shaking!"
"If it weren't for Butch, I wouldn't be sitting here right now."
- Dave Grohl, bigging up Nevermind producer Butch Vig.
This is coming from Grohl, mind, one of the most highly sought-after guest
drummers around. The QOTSA album Songs From the Deaf owes much of its
success to his drumming abilities, as well as Garbage's Bad Boyfriend, the
opening track on their latest album.
"You like that?" he smiles. "That was
fun! That was easy, 'cos it's Butch Vig. I owe that guy the biggest favour in
the world. If it weren't for Butch, I wouldn't be sitting here right now,"
he says of the man who produced Nirvana's Nevermind.
Which brings us to the
inevitable subject of the band that changed the music scene forever. He must
be getting sick of being considered a Nirvana rep, especially as he was the
band's sixth drummer.
"Yeah! Sometimes I'll get calls about making a box
set." His involvement in the last one was due to his brotherly love for
former Nirvana bassist Kris Novoselic. "He's like my big brother. He's the
sweetest, most gentle person in the world. I want to be there to support
him, but it's kind of weird sometimes 'cos I was the sixth drummer. There's
a lot of history in that band before I joined them. I was just there in the
spotlight when everything blew up."
But there are limits, he says. "There's
no way I could go see that Gus Van Sant movie." Last Days, recently
presented at the Cannes Film Festival, is loosely based on Kurt Cobain's life.
"So
what is that?" asks Chris. "It's Gus Van Sant's interpretation of what he
thinks was going through Kurt's head in the last couple of days," explains
Dave. "It's total speculation. A lot of people will ask me questions like,
'What do you think you would be doing right now if Kurt were alive?' It's
that kind of speculation... I think of it differently than a lot of people
because it's personal."
And what would Kurt think of Last Days?
"He would be
bummed," concludes Dave, "I can definitely speculate that!"
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Mercury Prize 2009 nominees
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BUY Foo Fighters - In Your Honour
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