Think of Califone and, if you've heard of them, you'll probably think of a
densely harmonised experimental melange of makeshift
instruments for which the Chicago-based quintet
utilise anything from duct tape to silk and sandpaper
to produce the atmospheric soundscapes of their
blues-infused nu-folk Americana. Tonight, they're
stripped down to the bare essentials - just Tim Rutili
with guitar and Ben Massarella alternating between
violin and banjo for an acoustic evening built around
their current (sixth) album Root and Crowns.
This is the fourth and last in a week of tiny
London gigs that comprise the entirety of their UK
tour, sandwiched between a North American gigfest
that's set to last four months. To see them in such a
tiny, intimate venue as the Windmill should be a real
treat, and it's clear that many people feel the same
way as the venue fills up early, drawing a crowd of
conspicuous industry types to the honeypot of its tiny
stage.
Unfortunately, this is set to ruin the evening
rather than make it, as it's too crowded, too hot and
the acoustics really can't cope with a combination of
miniscule space, minimalist musicians and too many
people talking too loudly too close to the stage.
On a good day, the Windmill can be the perfect
small venue - provided there are no more than 20
people in the crowd and they're all actually
interested in listening to the band. Sadly, this is
not the case today. The acoustics are a mess -
alternately drenched in feedback (not always
intentionally), or lost amongst the background
chatter. Plus, some numpty has decided to position a
very large merchandising table right in the middle of
a floor area which only has comfortable arm room for
five small indie kids at the best of times.
Califone are cut from the same cloth as Smog
and Will Oldham, The Sea and Cake,
Calexico and the Silver Jews and at
their best they can out-bliss any of them. Tonight
they're so laid back and chilled out that, in a good
way, it's hard to stay awake throughout their set. In
a venue such as the Royal Festival Hall on a Beyond
Nashville night, or All Tomorrow's Parties with some
nice smoke wafting your way and an audience who would
only make a noise to clap politely, this would work
very, very well as they brush the silence with gentle,
stripped-back versions of songs including The Eye You
Lost in the Crusades. But in these surroundings
they're sadly too quiet and too gentle. It just gets
lost.
The blissful music and sparse vocals don't carry
over the background chatter, which is a terrible shame
because, despite the awful set-up, it's clear that
Califone are very, very good. They play for well over
an hour, ending with a flourish of feedback that
fights to be heard. Unfortunately that sums up the
whole evening. A waste of a wonderful opportunity
which could have been saved by capping ticket sales
and only letting people in if they promised they
actually wanted to listen to the band. Next time,
maybe.