It's fast approaching midnight and the evening is
panning out to be remarkably civilized. musicOMH is
sipping Smirnoff Ice in the top floor bar of King's
Cross Scala, having been invited, rather thoughtfully,
to the aftershow party for Reverend And The Makers.
Also present, it turns out, are several of the
audience, who have been handed passes by the band's
management in exchange for some rather enthusiastic
dancing during tonight's exceptionally wonderful set.
But that's the kind of man Jon McClure, the Sinister
Minister himself, seems to be: one who is as
determined as possible to engage with, and remain
engaged with, his audience.
This is a trait which may prove essential in
keeping up his image as a people's poet, a John
Cooper Clarke for the 21st century. He has
declined the offered barrier between himself and the
audience tonight, enabling him to reach out and touch
them regularly; to put his microphone amidst them and
to defiantly share a cigarette with them.
In between,
he introduces most of his Madchester funk-tinged pop
fables with poetry readings, leaving us to wonder what
it is they put in the Sheffield water that breeds men
as well suited to a career as a poet laureate as a pop lyricist. Even if you
believe the conspiracy theories that it's McClure who writes all the lyrics
for the Arctic Monkeys, you can't use him to explain Jarvis as
well.
The band is more than just McClure, of course. A densely-packed
seven-piece containing two drummers (one traditional kit, one on drum
machine), two keyboardists, a guitarist and a bass player as well as McClure
himself, they make a spectacular wall of sound to backdrop his clever tales
of urban life and unrequited love. Many of the songs are already
familiar: the recent single Heavyweight Champion of
the World is offered up as the third song of the
night with confident abandon. No need to keep it til
last - there's plenty more to come. Other nuggets
include the summer-anthem-in-waiting 18-30 and Miss
Brown but in truth all of it is wonderful.
The crowd dance from beginning to end, arms aloft -
partly because the tiny venue is so packed there is
barely room to put them down, but equally because the
music and the sentiments are infectious. There are a
thousand parallels that can be drawn between McClure
and his fellow Yorkshiremen of the Arctic Monkeys but
none of them dilute the strength of his set, leading
only to a warm thankfulness that their meteoric rise
has drawn him out of Sheffield in their wake.
At times he seems genuinely amazed that anyone this
far from his home turf could be interested in what he
has to say. 'We're just a pop group from Sheffield' he
claims with an honesty that would make you believe him
if you hadn't just stood through an hour of the magic
he has to offer. The look on his face is akin to the
one Alex Turner had, looking out over the crowd at
Glastonbury. The crowd may be 1,000th of the size, but
the show they've just witnessed is every bit as good.
This might be the last chance to see McClure and co
in such an intimate venue. Even without the aftershow
party thrown in, it was worth every minute.