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The Soft Pack

@ Borderline, London, 12 February 2010
3.5 stars
The Soft Pack
The Soft Pack
The first annual HMV Next Big Thing festival featured over 60 artists in 25 gigs in five venues across London.

Some of these acts - such as BBC Sound Of 2010 winner Ellie Goulding, Marina & The Diamonds and Two Door Cinema Club - are already making a name for themselves, but this was a good opportunity to showcase an eclectic range of talents.
Like some others in the festival, The Soft Pack are not exactly a new band - they've already released several EPs over the last couple of years, changing their name from The Muslims at the end of 2008 - but the release of their debut eponymous album at the start of this month has upped their profile. After performing a few gigs here last year (including supporting Franz Ferdinand), the San Diego four-piece are back strutting their stuff.

A retro garage band with a streak of surf rock, these Californian dudes sometimes suggest a punked-up version of The Beach Boys. Their lo-fi sound may offer echoes of The Modern Lovers, The Ramones and The Strokes, but there is a distinctively West Coast laid-back quality to their music too. Their taut 50-minute set was an accomplished, no-frills performance of material from the new album plus a few earlier songs.

Kicking off with a fine account of current catchy single C'mon, they entertained the sell-out audience without breaking sweat. A series of mainly two-minute pop-punk tracks such as Down On Loving, Answer To Yourself and early single Parasites were executed with the minimum of fuss, with the chilled-out Mexico bringing down the tempo with its suggestion of the Pacific surf rolling onto a beach. The irresistibly driving riffs and rhythms of Pull Out and More or Less stood out from the crowd: with a few more songs like these the band could really be a force to reckon with.

As a live outfit, The Soft Pack deliver the goods but they could do with a bit more urgency. Matt Lamkin's voice is strong enough but he is an uncharismatic performer, seeming subdued and abstracted, not engaging with the crowd. Matty McLoughlin's guitar has a nice twangy sound, while bassist David Lantzman and stand-up drummer Brian Hill make a tight rhythm section. It would just be nice to see them let their hair down a bit more.


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