shop | mailing lists
musicOMH
theatre: reviews
Antony and Cleopatra
Shakespeare's Globe, London, in rep 25 June - 8 October 2006
3 stars
Antony and Cleopatra

cast list
Frances Barber
Nicholas Jones
Fred Ridgeway

directed by
Dominic Dromgoole
"Though it is honest, it is never good to bring bad news," says Cleopatra to a messenger who delivers information she'd rather not hear. But though this Antony and Cleopatra will not be to everyone's tastes, Frances Barber's performance as Cleopatra can mean only good news for Globe-goers this summer.

Dominic Dromgoole's production has taken the odd road of playing some of the most tense, overwrought moments of tragedy for laughs, bringing out the very human and fallible sides to these notorious lovers - if you have ever been crazy in love and known the maddening lust and emotional breaking points that can result, then go and revel in this production.

Part of the Globe's Edges of Rome season, Antony and Cleopatra is the Bard's sequel to Julius Caesar, set after this great ruler has died and Antony is left sharing power with Octavius and Lepidus. But so utterly captivated is he by Cleopatra, Queen of Egypt, he neglects kingdom and country, a decision which splits Rome. And it is against this backdrop of political struggle as Rome's triumviri seek to stave off threats from Pompey, that Antony and Cleopatra's doomed love story unfolds.

Frances Barber is sublime as the bewitching Cleopatra and the excesses of this great queen are played to huge comic effect. Barber's Cleopatra is the living embodiment of Congreve's 'Hell hath no fury like a woman scorned' and her bunny boiler tendencies bubble to the surface brilliantly when she verbally and physically whips the messenger who brings news of Antony's marriage to Octavia, in a hysterical showdown repeated when ever her status as the ne plus ultra of attractive women is threatened. Cleopatra's passion is indefatigable, she is capricious and controlling and befitting nobility, vainglorious and proud, and it is hubris, perhaps more than her love for Antony that leads her to take her own life, poisoning her self with asps to follow her lover to the grave.

Barber owns the stage, and is more than a match for Nicholas Jones' Mark Antony, who is neither convincing as a lover or a fighter. The pair's on stage kisses are hideously unconvincing, to the point that they are excruciating to watch. It is false news of Cleopatra's death that propels him to take his own life, and the playing of Antony's botched suicide as farce turns out to be a successful call, making him emblematic of end of an era Rome, the myths and might dying away, as his body is clumsily hoisted up to Cleopatra's monument where he dies in her arms.

Backing this duo is a fine supporting cast, with Simon Muller's Alexas standing out. Fred Ridgeway's Enobarbus is also eye catching and you could almost hear a pin drop when he delivers the arresting description of Cleopatra on her barge, the vision that first stirred Antony.

Age cannot wither this tale and although heavy on the comedy and owing much to Barber's talents, this rendering of Antony and Cleopatra will move you and remind you that love is indeed a double edged sword: it can give you wings and make you soar, but it can also turn you into an insecure, irrational nutter.

  share: 
Facebook | Digg | del.icio.us | more
from the archive
The Winter's Tale
The Winter's Tale
Mark Ravenhill
Mark Ravenhill
Edinburgh Fringe 2009
Edinburgh Fringe 2009


  BUY THE SCRIPT OF Antony and Cleopatra
London reviews
The Farenheit Twins, Barbican Pit

The Making of Moo, Orange Tree

Letting in Air, Old Red Lion

Salad Days, Riverside Studios

The Kreutzer Sonata, Gate

Architecting, Barbican Pit

Shraddha, Soho

This Much Is True, Theatre 503



theatre










related
THEATRE:
Titus Andronicus, directed by Lucy Bailey

THEATRE:
Coriolanus, directed by Dominic Dromgoole

external
Shakespeare's Globe
across the theatre section
BLOG
Edinburgh Fringe
Daily updates from our theatre editor at the Festival
EDINBURGH REVIEW
Hugh Hughes in...360
@ the Pleasance
EDINBURGH REVIEW
Pythonesque
@ the Udderbelly
WEST END REVIEW
A Streetcar Named Desire
Rachel Weisz at the Donmar
elsewhere on musicOMH
BLOG
Arctic Monkeys: Humbug
A first listen to the new album by the Alex Turner and co
REVIEWS
BBC Proms
Ongoing coverage of the 115th season from the Royal Albert Hall
INTERVIEW
Wild Beasts
The Kendal boys talk about second album Two Dancers
FESTIVAL PREVIEW
Bestival
Kraftwerk headline Rob Da Bank's Isle Of Wight retreat
film - theatre - classical - music

  theatre index...


musicOMH
about us
contact
copyright
home
elsewhere
Twitter
Facebook
Last.fm
Soundcloud
MySpace
© 1999-2009 OMH