Opera + Classical Music Features
Preview: Fidelio @ Garsington Opera, Wormsley
by Melanie Eskenazi
Opera venues are starting to open with performances attended by audiences. Melanie Eskenazi tells us about one coming up
Preview: Nevill Holt Opera’s New 2020 Season
by Sam Smith
Previews: Eboracum Baroque – Heroic Handel & The Ryedale Festival
by Melanie Eskenazi
Why I Love… Tosca
by Sam Smith
Preview: Garsington Opera 2021 – and a concert from Wormsley to enjoy now
by Melanie Eskenazi
Preview: York Early Music Festival 2020 Online
by Melanie Eskenazi
Preview: BBC Proms 2020
by Barry Creasy
Why I Love… Götterdämmerung
by Benjamin Poore
Connecting Stars: Supporting Isolated People and Struggling Artists
by Sam Smith
Why I Love… Siegfried
by Simon Thomas
Why I Love… Die Walküre
by Sam Smith
Stream classical music and opera at home: this month’s picks
by Barry Creasy
Why I Love… Das Rheingold
by Keith McDonnell
Why I Love… Salieri
by Sam Smith
Q&A: London Handel Festival’s Samir Savant
by Barry Creasy
Stephen Hough: Composing in lockdown
by Benjamin Poore
The show must go on: Mark Simpson on composing in isolation
by Benjamin Poore
Spotlight: Stile Antico tackle Spem in Alium in lockdown
by Barry Creasy
Why I Love… Carlo Bergonzi
by Simon Thomas
Garsington in lockdown: long-distance fixes of the operatic kind
by Melanie Eskenazi
Why I Love… The Monteverdi Vespers
by Barry Creasy
-
M(h)aol, Sprints & Thus Love @ Komedia, Brighton 8 Feb 2023
-
RAYE – My 21st Century Blues 6 Feb 2023
-
West Green House Opera’s 2023 season offers variety and enchantment 6 Feb 2023
-
BBCSO present a quirky programme of Bacewicz, bassoon and Dvořák 5 Feb 2023
-
The Barber of Seville: Aigul Akhmetshina hits the bullseye as a winning Rosina in The Royal Opera’s effervescent revival of this Rossini favourite 5 Feb 2023
-
LSO completely at home with old and new from Hummel, Tchaikovsky and Ngwenyama 4 Feb 2023
-
The Waeve – The Waeve 3 Feb 2023