Reviews Index
by Sam Smith
An indication of the popularity of August Strindberg’s Miss Julie, which sees an aristocratic woman become caught between her love for the valet Jean and…
‘S. P. Q. R.’ proclaims the inscription on the brutal concrete which surrounds Caesar as he announces his conquest – Senatus Populusque Romanus, the Senate...
A more literal translation of Stephen Storace’s Gli sposi malcontenti, which premiered at Vienna’s Burgtheater on 1 June 1785, would be The Discontented Newly-weds. However,...
On paper this did not look like the most inspiring Last Night of the Proms. Even by the measure of recent years, the first half...
The final week of the 2019 Proms season saw the festival observe a tradition from its early years, by focusing Monday night’s concert on Wagner,...
Tuesday evening’s Prom, curated by composer and lead-guitarist of Radiohead, Jonny Greenwood, was a lucky-dip of works whose minimalist inclinations ensured they hung together well....
Sunday evening’s Prom was clearly an attempt to follow through the ‘nature’ theme begun with John Luther Adams’ In the Name of the Earth...
Pizzica is a music and dance form specific to the Salento peninsula, and it is part of the wider tarantella style of folk-dance, supposedly a...
While it may have been Prom 60 that hit the headlines for constituting Bernard Haitink’s final concert ever in the United Kingdom, the one that...
We all knew the day would come when one of the world’s most revered and admired conductors, Bernard Haitink, would take his final bow in...
Berlioz’ first opera Benvenuto Cellini is rather an unorthodox piece, since it possesses quite an unwieldy plot and demands much from a staging in order...
Jephtha is Handel’s last oratorio, and despite its high critical standing, this was only its second complete Proms performance. Sadly, despite some excellent musicianship, like...
Jazz and religion might seem unlikely bedfellows, but it is surprising how many great names in the world of jazz have turned their hands to...
The playing of Vaughan Williams’ Fantasia on a Theme by Thomas Tallis on Thursday evening was of the high standard that one would expect from...
This semi-staged performance of Die Zauberflöte was adapted by Donna Stirrup from Glyndebourne Festival Opera’s 2019 production by André Barbe and Renaud Doucet. In many...
Pairing Bruckner’s eighth symphony with Bach organ works in this concert by the Leipzig Gewandhaus was an odd piece of programming, although there are tenuous...
Programming a Prom that is an homage to Nina Simone presents many challenges. Firstly, everything she accomplished was contextualised by her back-story: the political activism...
Sir Simon Rattle always enjoys challenging and educating his audiences: they must do their homework before being allowed their tea. Tuesday’s Prom was no exception,...
With a clever nod to real Victorian values, the BBC programmed Sullivan’s Victoria and Merrie England Suite as the first item for this celebratory Prom....
The Royal Albert Hall is not kind to small early-music ensembles, especially when their Prom is scheduled for the late-night slot, when there are generally...
If you are the someone who does not judder at the word ‘ambient’, then Tuesday’s Late-night Prom would have been for you. Replicating Radio 3’s...
