Years & Years
Herewith, a bumper crop of music features from around the web, this week featuring Kali Uchis, Daphne & Celeste, Neil Young, Years & Years, Pulp, Stephen Malkmus, Angélique Kidjo, Erland Cooper, Serge Gainsbourg, Eliza Carthy, John Howard, Rainbow Kitten Surprise, Mariza, Chvrches, Her, Boards Of Canada, Preoccupations and Arcade Fire.
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Noisey: This Bullshit World Was Predicted by Pulp’s ‘This Is Hardcore’ (Andrea Domanick)
Noisey: Smoke Some Weed, Take a Walk and Read This Interview with Neil Young (Domanick/Ross)
DIY: Planet Holy Wood: Years & Years Are Back (El Hunt)
Guardian: Arcade Fire: ‘People have lost the ability to even know what a joke is. It’s very Orwellian’ (Laura Barton)
musicOMH: Spotlight: John Howard – Incidents Crowded With Life (Michael Hubbard)
Pitchfork: Stephen Malkmus on How to Be a Useful Human (Alex Frank)
Guardian: Daphne & Celeste’s unlikely return: ‘We’ll make it weird’ (Pete Cashmore)
Vulture: Tinashe on finally releasing Joyride, setbacks and taking control (Dee Lockett)
Crack: Kali Uchis: California Dreaming (Aly Comingore)
Best Fit: Erland Cooper’s Guide To The Orkney Islands (Laurence Day)
Best Fit: Straight Outta North Carolina: Rainbow Kitten Surprise (Steven Loftin)
Songlines: Eliza Carthy: Wayward and Free (Nathaniel Handy)
Noisey: In Turkey, Music Takes You Where a Travel Visa Can’t (Güclü/Stächelin)
Drowned in Sound: “Music is more than therapy for us”: DiS meets Preoccupations (Marie Wood)
Songlines: Mariza’s World (Gonçalo Frota)
Best Fit: Hope and Her: Victor Solf talks about grief and resolution (Emma Finamore)
DIY: Never Say Die: Chvrches (El Hunt)
Songlines: Angélique Kidjo: An artist is only really a full artist if they are aware of the world around them (Jane Cornwell)
Best Fit: La Résistance! The New Wave of French women bringing French pop to British shores (Cheri Amour)
The Quietus: How The #VinylRevival Is Paradoxically Threatening Record Shop Survival (Alex Marshall)
The Quietus: Serge Gainsbourg: Beyond The Hit (Jeremy Allen)
Pitchfork: Why Boards of Canada’s Music Has the Right to Children Is the Greatest Psychedelic Album of the ’90s (Simon Reynolds)