The experience doesn’t seem to have been too painful (even if only six minutes of their music actually wound up in the film) and has revealed a new and utterly charming musical style – dreamlike, delicate and very atmospheric.
Piano notes drop like rain, harmonica and guitars combine with strings to give a retro Burt Bacharach feel (on a piece with the wholly un-Bacharach-like title Fuck This Shit), trumpet and harp weave a magical tapestry.
The album consists of short instrumentals, most only just over two minutes long, interspersed with snippets of dialogue from the film (which of course don’t mean a lot if you haven’t seen it) and some great new songs.
Black and While Unite is a classic B&S ballad. Storytelling, an upbeat duet written as an ode to the film’s director, was chosen for the closing credits of the film. The splendidly titled I Don’t Want to Play Football has every quirk of early Murdoch classics and it’s just a shame it’s less than a minute long. Stand-out track Wandering Alone has an engaging Latin rhythm while Scooby Driver is reminiscent of early Beatles (or refined White Stripes), complete with retro backing vocals. I could have done with a lot more of that – again it’s only just over a minute long. Big John Shaft, the longest song on the album at 3’55”, takes us back to more familiar territory: Murdoch’s soft voice, trumpet (or is that a tenor sax?), gentle guitars and a lilting tune.
Much of this album has been developed from “what wasn’t right” for the film. It’s all quite delightful and I just wish the development had gone further. There is some great music here and we need more of it. Soon, please.