With Black Milk at the reins, the hip hop veterans sound refreshed and re-energised
Open Ya Mind is a great example, with cut-up bell sounds and a delicious noodly bassline underscoring lyrics with a spirit of plus ça change about the life of a marijuana smoker (“Have you seen the news? They legalised in California / But the feds still trying to put the pressure on you”). Although Black Milk is of a newer generation, the boom-bap spirit of the mid-’90s lives on in the percussion and the chemistry is effortlessly on-point.
Champion Sound fuses classic braggadocio with smooth vocal chops, perhaps drawing inspiration from J Dilla’s more ethereal work, and Dizzy Wright provides the only guest verse of the album on Bye Bye, his loose flow a nice contrast to B-Real’s more regimented hook. This isn’t to say that the whole record is perfect, however: Come With Me attempts to channel vintage 2Pac, but its stilted rhythms leave a lot to be desired and the track feels awkward as a result.
Hit ‘Em is perhaps the most modern-sounding song, as 808s boom and a dinky high-pitched synth melody accompanies. Closing track The Ride features more introspective performances focusing on cycles of violence and the grief of friends dying young, over a contemplative vibraphone loop and crunchy downtempo groove, ending the album on a decidedly sombre note. Though it’s only a brief listen, Back In Black finds Cypress Hill refreshed and re-energised.